Aside from the politics (not politicians or anything that specific per se, but talk about "liberation" and just the gernal attitudes towards sex and relationships.) This book was also nice as a non-New Yorker as Lyle was kind of like a tour-guide as he was new to the city himself. Klein rarely mentions any music or anything else especially related to the times.
None of these books are very dated though as Ms. At the time I first was reading this, I was really into tennis too, which features a lot in the book. She's not one of those people who just goes around spouting off the first thing on her mind, but she's very truthful, even if the truth will hurt. I think it's because I really identified with Jody.
This was my absolute favorite Norma Klein book as a teenager, so I was nervous upon rereading. If You Don’t Love Me by Norma Klein: Fawcett/Dial: 1978 (originally published). Although she has a cult following, even after all these years, Klein has never achieved the kind of notoriety that Blume has, which is a shame, because Klein’s books are very, very good. Klein does just that.įans who grew up reading Judy Blume will find a kindred spirit in Klein’s work.
The point of Klein’s novel is not to wow readers with a flashy romance or seduction but to portray a sexual relationship between two teenagers as realistically as possible. There is a tenderness between Jody and Lyle, and while their chemistry never combusted off the page, they still manage to portray a realistic first-love relationship. Jody’s shrewd observations about the people around her propel the story forward, and her jaded outlook on love is believable. Jody, Lyle, and Jody’s mother are the three that stand out the most. Klein’s characters are vibrant and eccentric without being over-the-top. Klein was an innovative and important YA novelist for her time, and her sex-positive messages still resonate decades later. It’s quiet and often understated, and while the story’s protagonist is a smart, powerful girl in her own right, she’s not overtly so, and this often means that the reader might not recognize that what’s happening on the page is really important stuff. Norma Klein’s quiet, exploratory novel about first love and coming of age in the 1970s is extremely subtle. The two of them begin a tentative relationship, though, and find themselves falling in love for the first time. When she meets Lyle, a corn-fed boy from the Midwest, she realizes that not everyone is as open-minded as she is.
Jody considers herself a native New Yorker and believes herself to be fairly liberated.
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